American comic book writer & creator (1922- )
First I gave it to Jack Kirby to do, but Jack always drew these very heroic characters, like Captain America. I said to him, "You know Jack, I want this fellow Peter Parker, I want him to be just an average teenager. Don't let him look like your typical muscular superhero." I guess Jack was so used to drawing those kinds of people, that after he drew a page or two I looked at it and I said, "No, that's not right." So I said, "Forget it Jack. I'll give it to another artist." And Jack didn't care; he had a lot of other things to do, and we didn't realize this was going to become such a big script. So I gave it to Steve Ditko, who tended to draw things a little more realistically and more down to earth. And he did it, and I really don't interfere much in what the costume will look like. Steve pretty much invented the [Spider-Man] costume himself.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
Face front, true believers!
STAN LEE
often-used line on "Stan Lee's Soapbox" editorial pages
For the first week, I stood in front of that little thing on the sidewalk and wanted to punch anybody that stepped on it.
STAN LEE
about his star on the Hollywood Walk of Fame, Fan Expo, June 5, 2016
There is only one who is all powerful, and his greatest weapon is love.
STAN LEE
Silver Surfer
It's geeks who really make or break a TV show or movie or videogame.
STAN LEE
The Washington Post, July 23, 2010
It never occurred to us to save any of those things. We never thought they'd have any value later on. We worked in a very small office, and the printer would send back all the original pages of artwork, but we had no place to put them. So when we ordered food, we told the delivery guy, "Hey, would you mind taking these pages and dropping them in the trash on the way out?"
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I'm a frustrated actor. My ... goal is to beat Alfred Hitchcock in the number of cameos. I'm going to try to break his record.
STAN LEE
interview, February 6, 2006
We had bought a lot of strips that I didn't think were really all that good, but I paid the artists and writers for them anyway, and I kinda hid them in the closet! And Martin found them and I think he wasn't too happy. If I wasn't satisfied with the work, I wasn't supposed to have paid, but I was never sure it was really the artist's or the writer's fault. But when the job was finished I didn't think that it was anything that I wanted to use. I felt that we could use it in inventory--put it out in other books. Martin, probably rightly so, was a little annoyed because it was his money I was spending.
STAN LEE
"Stan the Man and Roy the Boy: A Conversation between Stan Lee and Roy Thomas", Comic Book Artist, summer 1998
I'm proud of everything that was done that was successful. I did the hiring and the firing and I'm proud of the fact that we were able to hire people as talented as the artists that we had, like Jack Kirby and Steve Ditko and Gene Colan and John Romita and Gil Kane. I'm proud of the fact that I worked with them and I like to think that we brought out the best of these artists and writers. It was a great time. I look back at that time when Marvel was starting I think I couldn't have been with a better group of people.
STAN LEE
Denver Post Online, May 23, 2013
Achilles, without his heel, you wouldn't even know his name today.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
What did Doctor Doom really want? He wanted to rule the world. Now, think about this. You could walk across the street against a traffic light and get a summons for jaywalking, but you could walk up to a police officer and say "I want to rule the world," and there's nothing he can do about it, that is not a crime. Anybody can want to rule the world. So, even though he was the Fantastic Four's greatest menace, in my mind, he was never a criminal!
STAN LEE
Stan Lee's Amazing Marvel Universe
I used to be embarrassed because I was just a comic-book writer while other people were building bridges or going on to medical careers. And then I began to realize: entertainment is one of the most important things in people's lives. Without it they might go off the deep end. I feel that if you're able to entertain people, you're doing a good thing.
STAN LEE
The Washington Post, July 23, 2010
I think the most important thing is to be busy, because if you have work occupying you, you don't have time to worry about the other serious problems in life.
STAN LEE
Toronto Sun, April 17, 2015
Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me--I swear--"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I'm sort of a pressure writer. If somebody says, "Stan, write something," and I have to have it by tomorrow morning, I'll just sit down and I'll write it. It always seems to come to me. But I'm better doing a rushed job because if it isn't something that's due quickly, I won't work on it until it becomes almost an emergency and then I'll do it.
STAN LEE
interview, March 13, 2006
I don't really see a need to retire as long as I am having fun.
STAN LEE
interview, Feb. 6, 2006
I'm no prophet, but I'm guessing that comic books will always be strong. I don't think anything can really beat the pure fun and pleasure of holding a magazine in your hand, reading the story on paper, being able to roll it up and put it in your pocket, reread again later, show it to a friend, carry it with you, toss it on a shelf, collect them, have a lot of magazines lined up and read them again as a series. I think young people have always loved that. I think they always will.
STAN LEE
Brandweek, May 2000
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
STAN LEE
Castle of Frankenstein, no. 12, 1968
We're lucky. Most of our men are good story men. In fact, they have to be. A fellow who's a good artist, but isn't good at telling a story in this form ... in continuity form ... can't really work for us.
STAN LEE
Castle of Frankenstein, no. 12, 1968
It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.
STAN LEE
online interview, Esquire, July 3, 2012